Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY

Tuesday, October 20
Music at 6:00pm
Festival page
Free and open to the public with registration. Please don’t register multiple people under the same email address. REGISTER HERE
While admission to this event is free, donations are warmly encouraged. Your support goes directly toward compensating the artists and helping make ambitious, community-centered festivals like Graphic Content: Feldman & Brown at 100 possible.
The Marginal Intersection Orchestra & Ekmeles performs large-ensemble works by Feldman and Brown, alongside a new MATA-commissioned work by Steve Long
St. Paul's Chapel, Columbia University, New York, NY
Feldman: Piano, Cello, and Three Clarinets
Brown: Available Forms I
Feldman: Intersection I
Feldman: Christian Wolff in Cambridge
Brown: Small Pieces for Large Chorus
Long: New MATA Commission
Feldman: Marginal Intersection
Full details TBA
Mozart's Chair exhibit page

Friday, November 13
Doors at 7 PM, Music at 7:30 PM
Festival page
Directed by Anthony Coleman, this concert features Feldman’s arrangment of a Kurt Weill song, alongside works by Oliveros, Brown, and Coleman
St. Michael's Church, New York, NY
Feldman/Weill: Arrangement of Alabama Song for jazz ensemble
Oliveros: The Well
Brown: 4 Systems
Coleman: Call 8

From June 2003 to Oct. 2019, Ne(x)tworks was a collaborative ensemble of musicians that created and interpreted work featuring a dynamic relationship between composition and improvisation. In performance and recordings, the group worked to locate pathways into various types of notation systems and interfaces, striving for a meaningful dialogue with the past, present, and future of creative music. Formed in 2003 in New York City, Ne(x)tworks extended the tradition of the performer/composer ensemble by frequently presenting full programs by its members. Its repertoire also encompassed the open scores of New York School and their European counterparts, further experiments by the composer performers of the AACM and SoHo Scene of the 1970's, the so-called Downtown composers of the 80's, and commissioned works by like-minded contemporary colleagues.
Ne(x)tworks released several recordings, including Earle Brown: Tracer on Mode Records, Ne(x)tworks Live Vol. 1: At The Stone, June 2007 and Ne(x)tworks Live Vol. 2: Music by Jon Gibson, both self-release and available at nextworks.bandcamp.com.
McIntyre was a co-founding member of Ne(x)tworks. He composed a number of mixed ensemble works for the group and was program curator from 2006 to 2010.
www.nextworksmusic.net

Ne(x)tworks performing Julius Eastman's Stay On It (1973)
Ecstatic Music Festival, Merkin Concert Hall, 2011
Photo by R Termine, NY Times